This album continues in the same vein as some of his other material. He has veered away from the reckless noise that dominated his earlier work with Pavement, continuing for a subtle kinder sound, probably similar to indie coming out of America during the nineties. Kim Gordon actually makes an appearance, famously the female bass player from Sonic Youth. What remains is an adept skill at songcraft and a tendency to adopt other instrumentation, not just the standard electrical rock equipment, but a whole range of other instruments.
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